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MUSIC AND SOUND LIBRARIES

  • One of the many things we do at QMA is create material for other creators to use, this happens on these fronts:

YouTube Audio Library​

Fully produced tracks available royalty free from the Youtube Audio Library, to be used by anybody in need of quality professionally made music for their videos.

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Just search for Quincas Moreira HERE! and download any track for free.

Funky, Jazzy and Reggae - YouTube Audio Library

Alternative, Progressive and Rock - YouTube Audio Library

Bugman Dubstep - YouTube Audio Library

Latin and Brazilian - YouTube Audio Library

Electronic, Pop and Cinematic - YouTube Audio Library

Holiday Classics - YouTube Audio Library

Facebook Sound Collection

Since 2021 Quincas has been composing commissioned works for the Facebook Sound Collection. This is the Social Network giant’s official repository of music for use royalty free within any of it’s sites and services. Here Quincas has focussed on latin and Brazilian styles, and the songs often include vocals by special guests. This is not your ordinary library music!

"Sound Collection Vol. 1" available HERE!

Funk-Jarana
00:00 / 03:16
Olas-feat-Renee-Mooi
00:00 / 03:50
Pra-Você-me-Entender
00:00 / 03:14
Corazón-Calavera
00:00 / 03:35
Samba-DUmbaba
00:00 / 04:28
Beijo-Na-Bochecha-feat.-Iara-Rennó
00:00 / 03:12

This is Quincas’ home made video for the first song in Brazilian Portuguese to be made available by the Facebook Sound Collection!:

"Pra Você me Entender" video clip, available on Instagram IGTV HERE!

Loops and Samples

  • Sample packs available from Soundtrack Loops. These are collections of sounds and musical excerpts that can be used directly by music producers to create their own original works.

Download "Modular Cinematics" sample pack

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Download "Opium Lounge" sample pack

Edgar López  Sample Packs

  • Sample packs available from Soundtrack Loops. These are collections of sounds and musical excerpts that can be used directly by music producers to create their own original works. HERE!!

Kitchen Things (Foley V1)

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  • Created in México by producer Edgar López, Kitchen Things is a unique hybrid combo pack of Foley sounds paired with a diverse assortment of drum ‘n’ perc loops inspired by them. The title says it all—it’s kitchen things! Banging pots and pans, timers ticking, spoons, pans and tuna cans, crunches, gulps, burps and slurps… from the organic to the mechanical, electronic, and… well, you get the idea—the sounds of the modern kitchen, fully documented and conveniently labeled for your Foley post-production needs in 60 well-recorded drag ‘n’ drop one shots. After you’re finished in the kitchen, then bring the music! This is where Edgar brings in his beat-writing chops, in two sets (120 and 180 BPM) of rhythm loops, 80 in all, with feels ranging from classic dancehall to weird, Tom Waits-style pop, mini-industrial grooves, hilarious comedy beats and more. The production skills in play here bring to mind the amazing David Van Tieghem—file under ‘serious fun’ with genuine artistry. As for the sonics, everything blends together perfectly on a carefully constructed soundstage that’s wide, deep, and dimensional. It’s refreshing to get Foley effects recorded by a music producer, and this, in addition to being a dedicated Foley and beat loops hybrid collection, is where Kitchen Things stands apart as an awe-inspiring collection of great sounds, beats, and ideas.  Click HERE for more info

Trash (Foley V2)

  • A great idea made real by a talented producer, Kitchen Things is by turns coolly esoteric, compellingly weird, and laugh-out-loud funny. On Foley V2: Trash, we’re treated to the same formula: loops (80, delivered at 130 and 200 BPM) and one shots (42 to be exact). The main draw is percussive impacts on cans, buckets, bottles, and more. These thuds, thumps, booms, clangs and ratchets, all made by striking household objects with hands and sticks, sound deep, round and rich, and are graced with great, highly detailed transients—they are, in fact, musical. The beats made with these sounds are just plain groovy, with a vibe and sparkle that, again, perfectly speaks the language of music—trash music for sure, but so tight and sonically pleasing! Back to the main draw—impact sounds suited for both Foley and music—you can be equally comfortable dropping Foley hits on your timeline, importing the one shots into your drum sampler to make totally complete kits, or using the loops in your music as complete beats. In every case, you’ll be well on to some great sounds—bang on!  Click HERE for more info

Human Body (Foley V3)

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  • As the Foley series expands, it’s becoming obvious that Soundtrack Loops and producer Edgar López are really on to something good. Where else can you get Foley sounds developed specifically with full-fidelity music production in mind? Foley V3: Human Body now joins V1: Kitchen Things and V2: Trash, to form a trio of titles that together deliver an impressively tight ensemble of flexible assets: Foley hits for your post-production timeline, one shots for your sample player, and inspiring beats that groove in unusual and surprising ways. Human Body contains 52 one shots and 80 loops (95 and 140 BPM). You get body drumming, mouth sounds, scratches, smacks and sniffs, clapping, coughing, and even sneezing, snoring and gagging if you want it! Compared to the first two volumes, the sounds here are smaller and shorter—analogous to traditional hand percussion, hi-hat, and accessory percussion sounds—and a great complement to the dynamic punch of Kitchen Things and the big drum sounds on Trash. Interestingly, as the Foley series expands, so does your capability for building complete and comprehensive drum/percussion kits from the bottom up. Edgar Lopez and Soundtrack Loops bring the tasty ingredients to the kitchen—you make the cake!   Click HERE for more info

Office (Foley V4)

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  • Soundtrack Loops presents Foley V4 – Office Sound Effects & Rhythms. Office is the fourth title in the Soundtrack Loops Foley series, imagined and produced in Mexico by Edgar Lopez, whose vision is becoming more remarkable at every step. In this continuing convergence of music production and Foley sound design, we now have Foley V4: Office. All four volumes work across music genres—they’re essentially genre agnostic. So, what makes Office stand apart? Office fits the Foley series paradigm, but the nature of the material gives this volume a slight tilt toward the classic motorik boing boom tschak that our German Art School students certainly all enjoy. It’s also the most, um… squishy. Enjoy paper rustles and pen scribbles, printers and scanners, telephones, typewriters and more, all staged in deep sonics and prepped for instant music production. The 80 loops (90 and 160 BPM) show just how busy one can get with these materials; the 61 one shots they’re made of are crisp, supple, and textured. Easily sequence fluid rhythmic soundscapes with a quasi-jungle or drum ‘n’ bass vibe—another nod to genre, and another Office standout feature. First Kitchen Things, then Trash and Human Body, and now Office—four titles and running. With Foley, loops, and one shots, each has something unique going for it, and together, the collection presents a dynamic sound design resource with serious potential.   Click HERE for more info

Industrial Complex (Foley V5)

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  • Soundtrack Loops presents Foley V5 – Industrial Complex Sound Effects & Rhythms. Good News! Producer Edgar Lopez is back, with Industrial Complex, his fifth entry in the Soundtrack Loops catalog. Edgar owns a sweet spot between Foley and music. All of his Soundtrack Loops titles have both signature vibes and subtle yet distinct differences in mood and style that set them clearly apart, giving producers a large and expanding set of easily interchangeable sounds to work with. Industrial Complex has everything we’ve come to expect from Edgar—the wide-open sonics, the variety of sounds, and even that sly and sophisticated sense of humor he always brings to the party, which really sets him apart from the pack as an artist. Rolling out the adjectives, we have all the usual suspects: cranky, squelchy, raspy, boomy… The musical side is harder to describe—but it swings! It’s almost as if every box of junk has a set of rhythms stored in its atoms, and Edgar’s purpose in life is to root them out—and indeed he does, and with a remarkably positive nonchalance. Maybe that’s why it seems so funny sometimes—he makes it look too easy! And so, you need this if you produce industrial, electronic/experimental music, global pop, hip-hop, sound design, and… are we forgetting something? Oh yes—Foley! Industrial Complex contains 120 rhythm and noise loops (85, 135, and 200 BPM), 70 one shots, and 120 bonus REX files.

  • Click HERE for more info

Sounds of México City (Foley V6)

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  • Soundtrack Loops presents Foley V6 – Sounds of Mexico City Sound Effects & Rhythms. Musician / producer / Foley designer Edgar Lopez is back with his eighth Soundtrack Loops release, Mexico City. While we marvel at Edgar’s blistering production pace, let’s take a look at what we have in this title. Churning through 90, 120, 150 and 180 BPM, and for a total of 202 samples, Edgar takes us on a wild ride that immediately brings to mind the classic glitch music of the early aughts—if you like Mouse on Mars, Matmos, and Uwe Schmidt, and especially if you appreciate their most whimsical work, then Mexico City will certainly bring a smile. The sounds are rich with authentic inner-city vibes—chaos, urgency, impatience, vibrancy, grit, atonalities—and the spirit is strong, as expressed in a vast array of beats: breakbeats, fractured rhythms (again, classic glitch) equatorial street rhythms, stomping beats, and more. The sonic jewels are delivered with the same signature that runs through every Lopez collection in the Soundtrack Loops catalog—bright, crisp, and exquisitely soundstaged. Beyond the beats, the one shots folder lets you peer deeply into the Foley and location recording DNA, where it becomes obvious that Edgar’s perception of the world is one in which every object has a rhythm, every noise is music, every scenario is a song, and there’s an abundance of joy and strangeness everywhere he looks.

  • Click HERE for more info

Frightening Sounds

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  • Strange voodoo from Mexico—it’s Frightening Sounds. This is not your typical scary sounds collection—instead of that faux-creepy stuff you might expect to find on a title such as this, here we have something that’s way more surreal. Producer Edgar Lopez knows both Foley craft and the art of music, and this makes all his work stand out as being unique in both arenas. Frightening Sounds is no exception—again, we have the Tom Waits-level weirdness, the slightly twisted, slightly ironic and totally spot-on sense of humor, the groovy equatorial rhythm feels, but this time, Edgar has also built in a vintage automaton-like crankiness that would sound perfectly at home in a Brothers Quay film—again, key word: surrealism. This arthouse vibe is what makes Frightening Sounds stand apart—it refuses to be typecast as gothic horror or dark industrial, and veers toward doing its own thing, which of course will better help you do yours when you need some dark potions dripped into your timeline. Frightening Sounds—80 beat loops at 85 and 120 BPM, and 71 one shots for your toolbox. Dry bones, rusty pipes, owls and rain, unknowable chants, unspeakable secrets—this title is great on its own, and a perfect fit in the growing Soundtrack Loops / Edgar Lopez collection of libraries that merge music creation and Foley sound design in a remarkable and refreshing way.  Click HERE for more info

Motors, Machines and Metal Noises

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  • Soundtrack Loops intros Motors, Machines, & Metal Noises – SFX & Rhythms. Motors, Machines, and Metal Noises delivers 120 loops and 169 one shots in an interesting split between veteran music/Foley hybrid producer Edgar Lopez, and Brian Kupferschmid, a sound effects producer and inventor of a mysterious musical box with “weird metal things and a mic” inside. It’s a perfect match! Edgar is up to his usual tricks—sampling everything in sight, bundling the sounds into folders full of one shots, and then making beats with these one shots that sound as if all his inanimate objects have minds of their own, with their own cranky stories to tell. In this set, the loops (delivered at 80, 100, 130, and 150 BPM) tend toward mellow glitch music, smooth and fluid, but still infused with that Mexican street vibe glow—pretty mellow for Edgar, and a great opportunity for introspective electronica producers to get some of that Lopez magic on their timelines. On the flip side, Brian’s noise box gets bowed, scraped, plucked and struck to produce sounds ranging from percussive hits to complex drones loaded with metallic overtones. Other included samples by Brian include ratchets, wrenches, drills, clicking things, and other stuff you might find in a dusty old toolshed. His contribution fits right in—these two producers are birds of a feather, and Soundtrack Loops is pleased to pair them up for this solid entry in the hybrid sample library column.  Click HERE for more info

Sports

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  • Soundtrack Loops intros Sports Foleys & SFX by renown foley recording expert Edgar Lopez of Office, Human Body, Industrial Complex, Trash to name a few. Edgar Lopez harvests location recordings that lend themselves to Foley, music, and a special place in between, where he works his unique aesthetic. He hears music everywhere—in Edgar’s world, every sound is fair game for the art form, and Soundtrack Loops is continuously delighted to represent his progress at every new step. And so, here we have Sports Foleys & SFX, a collection with that trademark integration of Foley and music that makes every one of Edgar’s titles so amazing. First up, the core sounds: 81 short, very crisp one shots comprising completely isolated sonic events that happen in a wide variety of indoor and outdoor sports, from stadium sports like baseball and football, to parlor sports like billiards and table tennis. These discrete one shot events are delivered with fast transients and sparkling 3D sonics, and as you can easily imagine, they all have enormous potential for making beats. This is illustrated here by the inclusion of 120 loops constructed at 80, 100, 130, and 160 BPM. This collection of killer rhythms is ready to roll on your timeline for instant gratification across many flavors of pop and electronic music, and we’re sure that you’ll also feel an uncontrollable urge to splay these sounds across your favorite samplers to investigate just what you can accomplish with this absolutely stellar title. Royalty free sports foley sound pack can be used for producing music, video, games, radio, and streaming.  Click HERE for more info

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